Next Sketch Outing

Saturday, Sept. 22, 2:30 p.m.: Good Shepherd Center and Meridian Park

Saturday, April 21, 2018

Sketchin’ and Chillin’ with Andika

Andika shows us how he makes confident lines.
(Photo by Jane Wingfield)
“Sketch ‘n’ Chill,” the title of Andika Murandi’s USk Seattle 10x10 workshop, is irresistible: Who doesn’t enjoy sketchin’ and chillin’? And the subtitle is even better: “No-stress interior sketching.” I’ve long admired Andika’s sketches of interior spaces that convey depth and complexity and yet stay small and simple. His workshop would be a good opportunity to learn his approach. I signed up immediately!

For the first half of the workshop, we met in Pioneer Square’s Grand Central Arcade, where Andika led us through practicing the very basics of any kind of drawing: making bold, confident lines instead of jaggy, tentative ones. By moving the whole arm and shoulder, not just the wrist, even when drawing in a small sketchbook, lines will be more controlled, continuous and consistent. 

He urged us to forget about erasing tentative pencil lines; instead, he encouraged going straight in with ink and “embracing the mistake.” To reinforce this attitude, he showed us examples from his own sketchbook where he had made incorrect lines initially and then restated them, but left the old lines in place. When he pointed them out, we could see the “wrong” lines, but they otherwise disappeared into the rest of the composition, which was confidently presented.

Line-drawing practice
Rooms can be simplified into trapezoids, rectangles and triangles.

As an architect, Andika pays attention to perspective in his sketches, yet with a casual, “no stress” approach. Most traditional lessons in perspective drawing begin with illustrations of one-point or two-point perspective in which the point where all those lines meet might be way outside the composition and halfway down the street. Instead of starting with a horizon line and vanishing point, he showed us how interior spaces can be simplified into rectangles and trapezoids (one-point perspective) and triangles and trapezoids (two-point perspective). Once you see those basic shapes in a room and form a composition around them, the rest is just details. Stress-free perspective!

With those lessons and line exercises under our belts, we proceeded to our first sketch within the Arcade’s large interior. I chose the two-point perspective of one of the main doorways somewhat complicated by the stairwell in the center of the room. I initially got the height of the stairwell wall wrong, but I drew the lines confidently and left them boldly in place. 😉

4/21/18 Grand Central Arcade

True to his personal philosophy of relaxing with a beverage and sketchbook in a café, for the second exercise we split up into two groups, each going to a nearby coffee shop. I was in the Caffe Umbria group, and I went to a back corner of the café. I again chose a two-point perspective looking toward the front of the room. (I was planning to “chill” with a mocha as Andika would do, but learning to draw always makes me hungry! I sketch ‘n’ scarfed a grilled veggie sandwich.)

4/21/18 Caffe Umbria

Before taking this workshop, my usual approach would have been to focus first on the two men sitting in front of me, then add the roaster, tables, chairs and other details around the men, and finally fill in the windows and walls in the background. But often what happens is that my scale or placement is off on the tables and chairs, so when I put in the walls and windows behind them, the whole room tends to skew. With Andika’s approach, the first lines I made were the shapes of the trapezoids and triangles of the walls, ceiling and floor. Although I probably didn’t get the perspective perfectly accurate, when I used those lines to guide the placement and scale of the details, they tend to look right.

Similar to Gabi’s “Pocket Urban Sketching” concepts or Sue Heston’s “sky shapes,” both learned in last year’s 10x10 workshops and that I find myself using often, Andika’s simple, straightforward approach is one that I could grasp easily in an hour and then practice immediately for reinforcement. I left the workshop feeling confident that I could use his approach for interior spaces whenever I want to show the whole room – without thinking about where all those perspective lines eventually meet up. Sketch ‘n’ chill, indeed!

Final throwdown
A stress-free group! (Photo by Jane Wingfield)

4 comments:

  1. Tina, thank you for sharing your notes and sketches. It takes talent to do both so well.

    ReplyDelete
  2. Tina this is a great piece of editorial writing! And great review as well, :) thank you! I hope you don’t mind if I share this on my facebook page. Andika

    ReplyDelete
    Replies
    1. Thanks, Andika! Please feel free to share anywhere!

      - Tina

      Delete