I haven't slowed down on the drawing however, and have some catching up to do on posting, so here are a few drawings from the last month.
I took my On Location students from Gage Academy to Wallingford Center and drew this scene as a demo. I took a dozen in-progress photos as I worked but I'll spare you all but one.
I'm often asked about my "no pencil" policy, and for the sake of transparency here is the kind of laborious and pains-taking pencil plan I create before inking. As you can see, a long time was spent on this stage (about 30 seconds).
Another scene drawn at Wallingford Center, completed in short bursts between consulting one-on-one with my students who were scattered around the building.
It's a welcoming location where I'll also be teaching my 10 x 10 class on St. Patty's Day.
The class also visited King Street Station with the assignment of finding a viewpoint with detail and depth, and to use atmospheric perspective to suggest distance.
Stimson-Green Mansion is good for students interested in architecture, but the rooms are dimly lit. The spaces with the most natural light tend to be the bathrooms and the kitchen- not the most historic of settings.
In my drive to get students to put down their pencils and draw directly in ink, I did this quick silly drawing of a librarian at Suzallo Library. I wanted to show that a wobbly drawing done as a modified blind contour isn't fatal. I was grateful that the librarian seemed unself-conscious about me staring at her for 20 minutes while I inked my way through this bland setting, trusting that my undisciplined pen lines would add up to something.
And the US Bank building corporate arch-thingie, where I was gently hassled by a security guard who asked me to put my chair back and move along.
If you'll be in Georgetown anytime during March or April, I'll have a show of a dozen large color drawings (17x23) at All-City Coffee. Not technically urban sketches, but using the same technique: