|9/21/14 Calder's Eagle at Olympic Sculpture Park|
I didn’t have Chinese ink at home, so I used India ink. KK’s trick is to place a piece of medical gauze in a small jar and pour only enough ink into the jar to saturate the gauze. This trick addresses two issues: It keeps the ink from spilling (especially important when wearing a white sweater), and it allows the twig to pick up a very small amount of ink, which results in KK’s signature “dry” ink look.
|9/21/14 Space Needle from Olympic Sculpture Park|
Once I picked up my twig, I had to dispense with a few things immediately. The first was the illusion of control. The second was my penchant for details: twig sketching is all about big shapes. The third was color. The latter was a tough one – who doesn’t want to put a big splash of red across the page when sketching Calder’s Eagle? (It helped that I’d already been to the sculpture park with a sketchbook several times.) Once those were out the window, I had so much fun sketching with that most primitive of sketching tools. A big benefit of twig sketching is speed. I finished five sketches during the two-and-a-half-hour sketch outing, which may be a personal record.
During KK’s demo, participants kept asking him questions about the types of trees his twigs come from, the angle at which he cuts the tips, creating sort of a “nib,” etc. Although he answered the questions, it became apparent by watching him that his magical sketches have very little to do with the twig. They have everything to do with the hand holding the twig.
|9/21/14 Olympic Sculpture Park|
|9/21/14 Elliott Bay from Olympic Sculpture Park|
|9/21/14 Richard Serra's Wake at Olympic Sculpture Park|