Showing posts with label Paraty. Show all posts
Showing posts with label Paraty. Show all posts

Wednesday, September 10, 2014

A “Family Reunion” in Paraty

8/27/14 Pizzeria da Cidade, Paraty
When I left for Brazil nearly three weeks ago, Seattle trees were showing only a tiny hint of fall. Coming home from SeaTac Monday afternoon, the first thing I noticed was that the trees were definitely turning orange and yellow – no more hinting. I feel like I’ve been far away for a long time – both physically and mentally.

Paraty was a delight – and full of surprises. When I had first started seeing images of the coastal village in southern Brazil – one I had never heard of before the announcement that the 5th Annual International Urban Sketching Symposium would be held there – I was immediately taken with its small-town charm. Unlike Barcelona’s spectacular urban vibrancy (which inspired and invigorated me even as it intimidated me), Paraty seemed more my pace. Perhaps I could leisurely walk its streets without being watchful of pickpockets!

As it turned out, I had to be as watchful as ever in Paraty, though not of pickpockets. Instead of looking around for thieves, I had to look down with every step – or risk tripping on the rough stone streets and sidewalks everywhere! Or if my timing was off, I might be trapped on one side of the street or another when the high tide came in and the streets flooded with a sudden, temporary river.

As small as the proverbial “one-dog town” (in fact, there were at least three, including the black one that was always asleep next to Igreja de Nossa Senhora do Rosário; if you look through the symposium Flickr group, you’ll see that the dog is a fixture in several sketches of the church), I could walk from end to end in a short time (though it always took me longer than I expected because I was trying not to trip). Despite its initial impression of being a sleepy town, Paraty is anything but quiet. I woke every morning to a cacophony of exotic birdsong and church bells. One day at 6 a.m., we were awakened by fireworks honoring a patron saint. Music was often playing, and the voices of local business owners and patrons filled the streets.

8/27/14 Our hardworking symposium staff at the opening reception.
Barcelona last year is the only other symposium I attended and can compare Paraty to, so I don’t have a broad range of reference, but to me Paraty was an ideal symposium location in several ways. Its small size made it easy to run (I mean walk – no running on those stony streets!) between the various symposium events, and it was so much fun to see other sketchers everywhere, anytime. The scale of the architecture was less imposing (can you say Sagrada Familia?), and I enjoyed the smaller workshops and activities more. In Barcelona, the culture was to dine late in the evening, so I missed most of the informal drink-and-draws because I was usually in bed by the time they took place. In Paraty, I could attend group dinners without losing beauty sleep. Stone streets notwithstanding, Paraty was more my pace.

8/26/14 Caramujo Restaurant, Paraty
The symposium structure itself keeps maturing and improving. This year I could choose to attend a mix of workshops and activities, giving me a broader range of experiences. For example, by opting to forego the Thursday afternoon workshop and attend a portrait exchange instead, I met a number of people who had not registered for the workshop pass, so I probably wouldn’t have had an opportunity to talk to them otherwise. Even better, I spent time with each one sketching their portrait.

Which brings me to the same conclusion I came to at the end of the Barcelona symposium last year: Regardless of the location or specific workshops (which were enormously useful), what I value and remember most about the Urban Sketching Symposium are the people I met or became reunited with there. I heard a number of attendees use the term “family reunion” to describe the atmosphere, and it’s exactly appropriate. I cherish the time I spent, both at the symposium and later in Rio, with people whose sketches I keep up with online all year round or just met and look forward to seeing again at a future symposium. Time and time again, I was moved by the communication that can transpire even without much of a common spoken language when we all share the common language of our love for sketching.

I could post here some of the many sketches of buildings and streets I made in Paraty (you can see them in the symposium Flickr group). But in honor of the many people who made the symposium special to me, instead I’m posting some of the sketches I made during the portrait exchange, informal drink-and-draws and the final symposium sketchwalk. Thank you, everyone, for a very special time in Paraty. I feel privileged to be part of this vast global network.

8/29/14 Cafe Do Fogo, Paraty
8/29/14 Cafe Do Fogo, Paraty

8/28/14 Sergio sketched at the portrait party
8/28/14 Marcia sketched at the portrait party

8/28/14 Fernanda sketched at the portrait party
8/30/14 Symposium closing sketchwalk, Matriz Square, Paraty. (There's Frank Ching at left, sketching while standing, wearing a hat.)

Monday, June 9, 2014

Portal to another summer adventure...

Wow...two weeks from this moment, I'll be wedged into a coach seat on a plane...heading to Rome.

With the Civita Institute's Astra Zarina fellowship, I'll be spending 2 months in the teeny Etruscan/Roman/Medieval/Renaissance (and it pretty much stops there) hill town of Civita di Bagnoregio ITALY, literally following the footsteps of other Seattle sketchers like Anita Lehmann and Dave Boyd who were there last summer.  The project:  to create an illustrated walking guide to the town, as tons of tourists show up and quickly walk from one end to the other, never knowing that they are in a really amazing, historic place.

I'll also be teaching the second annual DRAW CIVITA-- 5 day sketching workshop in July (and yes, there will be a DRAW CIVITA 2015)...
 http://www.stephaniebower.com/DRAW_CIVITA_2014Info.pdf  as well as joining the Urban Sketchers in Rome for sketchcrawls.  It will be great to see the Good Bones 2 sketchers Ben and Francesca who work for Rick Steves and are based in Rome--they are really good, brand new sketchers!  The plan is to also visit a few of the gardens that predate those I studied in France last year, the Villa Lante and Villa d'Este...lots of perspective there...

Then in late August, I'll board a plane again to join the Urban Sketchers community at the symposium in Brazil to teach a workshop called "180 Degrees", which will include lots of how-to information on basic perspective. I love these wide angle views, as they really put you in the space!  And if Paraty is anything like Barcelona last year, it will be amazing--so very, very well organized, an incredibly fun opportunity for any and all sketchers.

Look for a few posts to the Seattle Urban Sketchers blog, but if you are interested in following the daily posts, go to:
blog: www.stephaniebower.blogspot.com
flickr:  https://www.flickr.com/photos/83075812@N07/
or through Google+ (and I have no idea how to post a link to that site...)

It appears that lightening can strike the same place twice, I am so very, very grateful for these utterly amazing opportunities and adventures. My gosh, it honestly seems too good to be true.

180 degree view of Civita's Piazza in front of the Chiesa San Donato 2013


180 degree view of the Interior of Civita's Chiesa San Donato 2013

Walking through this portal into Civita is like entering a time machine,
as it throws you back many hundreds of years...and a
spell comes over you. It is such an amazing ancient place, perched
like an island high above the valley below.